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Edit Mode
The Vocal 300 lets you create your own presets, and modify existing presets. To create your own preset, do the following: 1. Select a User or Factory Preset. 2. Press the SELECT button. The Matrix�s first effect row LED begins flashing. 3. Modify the parameters in the selected row using the LOW, MIDRANGE, HIGH, and MASTER LEVEL knobs.When changes are made, the Store LED lights, and the abbreviated parameter name with a space followed by a two digit parameter value is displayed. 4. To move to the next effect in the Matrix, press the SELECT button again. 5. Press the STORE button to save your changes. Note: Pressing the UP or DOWN footswitches returns you to Performance mode. Pressing the BYPASS footswitch bypasses all effects.
Store Mode
After modifying a preset, you must store your settings to one of the 40 User Preset locations. To store changes to a preset or store a preset to a different location, do the following: 1. Press the STORE button. The Store LED begins blinking on and off, and the first character of the name flashes. 2. Use the LOW knob to change the character. Use the MIDRANGE knob to move to the next character (left or right) in the name. 3. Press the STORE button again. The preset�s name and number are displayed. 4. If you want to change where the preset is stored, rotate the MASTER LEVEL knob to select a new preset location. Only User presets 1-40 can be overwritten. 5. Press the STORE button a final time to store your changes. Stored followed by the preset name is displayed. Note: Pressing the SELECT button aborts the storing process.
Bypass Mode
The Vocal 300 can be bypassed so only a clean, unprocessed signal is heard. To bypass the Vocal 300, do the following: 1. Press the BYPASS footswitch. Bypass appears in the display. 2. Press the BYPASS footswitch again to return to performance mode. If a new preset was selected while in bypass mode, you will exit bypass mode to the new preset. If a new preset was not selected, you will return to the preset in use before you entered bypass mode.
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