PIONEER VSX-33TX/KUXJI/CA
Manual de Usuario

Basic Playback

DSP modes
The DSP (Digital Signal Processing) modes allow you to transform your living room into a variety of different sonic environments when playing either two-channel or multi-channel sources.

HALL 1
Simulates the acoustic effects of a large concert hall. Suitable for classical music. A long delay time of reflected sounds, coupled with reverb effects, let the listener enjoy the dynamic and rich sounds characteristic of concert halls and powerful orchestral performances.

HALL 2
Simulates the acoustic environment of a very resonant concert hall. Rich reverberation and a full sound create the impression of a lively performance space.

JAZZ
Simulates the acoustic effects of a jazz club. Reflected sound is virtually below 100 msec so that the listener can enjoy a live band effect.

DANCE
Simulates the acoustic effects of a dance club. Features a strong bass sound. Reflected sound delay time is virtually below 50 msec, for the listener to enjoy the visceral power of dance music.

THEATER 1
Reproduces theater sound field effects without losing the localization of each channel. Theater effects can be enjoyed without losing Dolby Digital/ Pro Logic (Surround) effects when used in combination those formats (with movies bearing the trademark).
DOLBY SURROUND

THEATER 2
Simulates the acoustic environment of a theater while maintaining proper localization of each channel.

5CH STEREO
Simulates the acoustic environment of a regular stereo while using all the speakers in the system to induce a rich, all-around sound.

STEREO mode
Use the STEREO mode to enjoy standard (two-channel) stereo sound from the front left and right speakers. This mode is most like the sound reproduction you would get from a regular stereo receiver or amplifier that is not equipped to handled A/V formats as this one is. You might want to use this mode for listening to regular music sources (like CDs) but remember, you will only get sound from your front two speakers and possibly sub woofer.

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