of this field. If only one ME-35T is being used, this should be set to "1". � UNIT CH: This field selects the midi channel over which the selected ME-35T (unit 1 or 2) receives its data. This should be set to the same midi channel as the selected ME35T unit is set to receive on. Because the ME-35T is set to receive on channel 1 when shipped from the factory, this field would normally be set also to 1. � INPUT: This field selects which of the 8 trigger inputs of the selected unit is currently active for editing. The settings of the 8 fields below refer only to the input number displayed in this field. � NOTE: This field selects the note number which will be output when the displayed input is triggered. The MPC60 drum which is currently assigned to that note number (in the ASSIGN INCOMING NOTES TO DRUMS screen) is displayed to the right of the note number in parentheses. SENSITIVITY: This is the input sensitivity. Adjust this until only the hardest strike of the pad causes the overload LED on the front of the ME-35T to flash on. The range is from 0 to 127. TRIGGER: This is the trigger threshold. Only notes with velocity values above this threshold will be sent from the ME-35T. The range is from 0 to 127. CAPTURE TIME: This parameter sets the amount of time the ME-35T uses to determine the note velocity, in milliseconds. This setting is a compromise between response time and accuracy of dynamics- the faster the response, the less accurate the dynamics. The range is from 0 to 31. RECOVERY TIME: This is the amount of time, in milliseconds, following a trigger during which further triggers are prevented. It prevents false double triggering because of bounce of the stick on the pad. Too long a time will limit the maximum rate of drum roll. The range is from 0 to 31. `ON' TIME: This sets the delay between sending the "Note on" and the subsequent "Note off' command, in increments of 1/100 second. For the MPC60, this should be set to "0". The range is from 0 to 4095. CURVE: This parameter selects one of 8 dynamic curves that relate strike dynamics to midi velocity. Curves 1 through 4 work best with synthesizers using logarithmic
